Projects

In Jacqueline Morrisseau-Addison's poetic bīskabiyang the artist reflects on the nurturing of many homes – our bodies, our spirits, our families and communities, our plant, animal and earthly kin, as well as our first home, Mother Earth.

In his response to Vivek Shraya's Bodyrebuilding Curator Elliott Ramsey reads the artist's film as a manual for healing.

In her video Bodyrebuilding artist and writer Vivek Shraya reflects on transness by way of an encounter with gym culture.

Cultural Crossings is a video series produced by artist T'uy't'tanat-Cease Wyss about the intersections of the cultures that co-exist along the north shore.  

An experiment unfolding across text and image, Jordan Abel’s Dad Era reflects on fatherhood, place, and memory-making.

In her poem "Existing As a Settler On Unceded Land: A Guide" artist Dierdre Lee invites a reflection on the act of acknowledgment.

Originally a three-channel installation, Aaron Rice's Fire.Heart.Spirit reflects on the concept of Otsenhakta.

A virtual public art commission to fill two empty alcoves of the Legislative Library in Victoria, British Columbia, on the traditional unceded territory of the Lekwungen speaking peoples, the Esquimalt and Songhees First Nations.

Combining text and video, The Fountaincleaners incorporates research and development materials gathered for Charlotte Zhang's debut feature film Tycoon.

In this text Emma Hassencahl-Perley offers a response to Aaron Rice's video Fire.Heart.Spirit.

In this illustrated essay, Olumoroti Soji-George reflects on the queer and BIPOC-centring events hosted by Vancouver collective MadeByWe.